VisionPlus India

better than Robert Downey Jr . Presenting alongside Chris Evans, he wore Oliver Peoples Estin frames in black, adapted with light green prescription lenses. It was a subtle shift, but one that made all the difference. The tint softened the frame and caught the light in a way that felt intentional yet effortless. It is this kind of detail that separates styling from instinct. Benicio del Toro took a different route, leaning into drama with visor-style sunglasses from the Oliver Peoples collaboration with the Paul Newman Foundation. The teardrop shape carried a sense of nostalgia, yet the execution felt current. It was a reminder that referencing the past can still feel entirely modern when done with clarity. Director Ryan Coogler continued his now familiar association with Matsuda M1038 opticals. Worn throughout the awards season, the frames have become part of his visual identity. There is something compelling about that kind of consistency, about allowing a single piece to define your presence over time. WHERE PERSONALITY TOOK SHAPE The variety of eyewear this year created a visual rhythm across the carpet. No two choices felt the same, yet none felt out of place. Spike Lee , known for his unapologetic individuality, arrived in white Oakley Meta HSTN smart glasses. Combining technology with personal style, the frames felt forward-looking without losing character. Joel Edgerton opted for Tom Ford Penn 02 sunglasses with light grey blue lenses that subtly echoed his natural features. Chris Evans chose gold Garrett Leight Wells J frames with green lenses, adding a distinctive edge to his look. One of the most memorable appearances came from Jack O’Connell , who arrived with fangs as a nod to his role in Sinners. Paired with Dunhill sunglasses featuring green lenses and gold stud detailing, the look carried a sense of theatre without losing its style credibility. Younger actors brought their own perspective. Milo Manheim kept things clean with Garrett Leight Broadway frames and dark grey lenses, while Timothée Chalamet leaned into his signature aesthetic with Chrome Hearts Edenbox sunglasses, dark and sculptural. Elsewhere, Bobby Cannavale introduced depth with bourbon red Jacques Marie Mage Vendome frames, and Arón Piper balanced THE VARIETY OF EYEWEAR THIS YEAR CREATED A VISUAL RHYTHM ACROSS THE CARPET BENICIO DEL TORO IN OLIVER PEOPLES SUNGLASSES CHRIS EVANS IN GARRETT LEIGHT EYEGLASSES LEWIS PULLMAN IN SAINT LAURENT SUNGLASSES JACK O’CONNELL IN DUNHILL SUNGLASSES 18 VISION PLUS INDIA EDITION